4 out of 5 stars
I have finally managed to pin down what I like so much about Jess Kidd's writing—it is so calm, just like the main character Nora Breen. Wherever Nora goes, she takes her aura of calmness right along with her. But even Nora's calm gets tested in this book.
I love the fat gull that Nora has “adopted" and named Father Conway. He waddles in through her window at the boarding house and helps himself to whatever food is on offer. He is the easiest male in the novel to deal with. Nora has been enjoying the pursuit of criminals with Detective Inspector Rideout until this case, where it seems that Rideout is in the crosshairs of the killer. Nora is frustrated by his unwillingness to keep himself safe. Nora's other friend, Hosmer, has been entertaining as he attempts to educate her about music and photography. There is a moment where Nora realizes that these two men see each other as competition for her attention and she is dismayed.
Nora is learning a lesson that has been delayed by her years in the monastery: it is very difficult for women to have platonic friendships with men. It is dawning on her that she is going to have to choose. Her fellow denizen of Gulls Nest, Bill, gets her set up with men's clothing, which she very much likes, and advises her that Hosmer loves her and to be clear and gentle with him. I think it is obvious to everyone, including Nora, that if she must choose it will be Rideout.
The mystery is solved, of course, largely due to Nora's ability to ask the right questions in a compassionate way and her willingness to delve into the past to get to the root of the problem. And her willingness to chuck a heavy shoe at a deserving target! For me, the real point of the novel is Nora's progress with life outside the monastery—supporting herself, learning her own style, and establishing new relationships. I do hope Kidd is writing a third book.









