|3.5 stars out of 5|
The Woman in White famously opens with Walter Hartright's eerie encounter on a moonlit London road. Engaged as a drawing master to the beautiful Laura Fairlie, Walter becomes embroiled in the sinister intrigues of Sir Percival Glyde and his 'charming' friend Count Fosco, who has a taste for white mice, vanilla bonbons, and poison. Pursuing questions of identity and insanity along the paths and corridors of English country houses and the madhouse, The Woman in White is the first and most influential of the Victorian genre that combined Gothic horror with psychological realism.
Very Victorian. When I start to read books of this vintage, I have to remember to slow myself down and get ready to appreciate a story told in a different way from today’s literature. One of my earliest literature loves was H. Rider Haggard’s She, giving me an early appreciation of the Victorian novel which I can tap into when starting new works. The story is approached more slowly and circuitously.
I can certainly see why The Woman in White is considered a classic. Collins builds an intriguing mystery and a wonderful cast of characters. What a wonderful villain Count Fosco is! With his white mice, canaries, and cockatoo in tow!
The tale gives me great sympathy for the gentlewomen of the time—the course of one’s life determined so strongly by the choice of marriage partner. Once chosen, there was no escape and a woman was expected to stick by her husband, no matter how dreadful. Cheeringly, Laura’s lawyers seemed to be very protective of her, but one can consider how much they were protecting the woman versus the fortune.
And anyone who doesn’t like how their boss is treating them should attend to the life of a servant in this novel—where one can be yelled at, belittled, ignored, mistreated, even physically punished, all at a whim. [Just as an aside, do you suppose this is where the unfortunate tendency of some people to abuse staff at restaurants and retail stores comes from? People treating them like the unfortunate servants of the past?]
Definitely a worthwhile read if you are interested in the evolution of the mystery genre. Get a glass of wine, settle in for a leisurely evening or three, and prepare to make your way slowly through the evidence.