3.25 out of 5 stars
Book 25 of the 2025 Read Your Hoard Challenge
I like Vonda McIntyre’s writing and I could see why this novel won a Nebula award. It was crowded with ideas, many of which could be boiled down to who is recognized as fully human. The main character, Marie-Josephe de la Croix, is a woman from the Indies in the court of the Sun King Louis XIV. The stratigraphy of society could not be more clearer. His Highness is the ultimate authority—what he says goes, even if you are the Pope. Marie-Josephe is very low in the court hierarchy and she must fulfill the expectations of her sponsors if she is to survive there. She is an intelligent woman who prefers natural history, mathematics, or music to court life, and her time in a convent has left her naïve about the true nature of the courtiers who surround her.
When Marie-Josephe’s brother, Yves, returns to court with two sea monsters (one dead, one alive) it falls to her to feed and train the living specimen. His return also reunites Marie-Josephe with her Turkish slave, Odelette. While Marie-Josephe is made to feel her own unworthiness, she cannot help but acknowledge the intelligence and emotions of both Odelette and the sea creature. She is not comfortable with the court's dismissal of the basic rights of thinking beings.
This is alternate history, so there are many real historical figures represented here. McIntyre obviously did a ton of research to get the details of the period correct. Unfortunately, many of the people with titles have at least two names, their given names plus their titles. This can be a bit overwhelming in the beginning. It was an interesting idea, to introduce a mermaid-like person to the King's court and to set an innocent young woman in opposition to the most powerful man in Europe.
Nevertheless, from time to time I found the going difficult. Marie-Joseph could have been a bit more sophisticated in my opinion. Her completely misguided ideas about sex got tiresome quickly and they prevented her from effectively using what little influence she had. Still, I'm not unhappy to have read this book and will read more of McIntyre’s work eventually.
























